Tim Roda’s work was not the most spectacular; the work is too intimate for that. How could it compete with a slowed down car crash with broken glass and smashed metal? But Roda’s work is some of the most humane at NEXT.
The boy does not judge the man; the boy aids him (sometimes with only a hint of apprehension) as he tries to exert control over their detritus filled world. The attention to the world of decay spills into ours as a cardboard covering spills across the floor of the Art Agents space. 